I volunteered to be on the planning committee when they wanted to know if anyone could design an alphabet that was similar to the letters in the Stoney Creek Pattern: Stitching to the Music (we got permission to use this design in the quilt).
I designed the remainder of the letters needed while Marlene designed the backgrounds for the letters and turned the vertical "Music" design into a horizontal one. Letters were handed out to EGA member volunteers to stitch . . . I stitched this "R".
We had cross-stitchers and quilters on our committee and soon discovered that they think and see the "whole picture" differently. Nita was the driving force of the vision for the quilt and presented a picture of a tree motif she thought would look good as the centerpiece of the quilt. We picked a number of neutral fabrics to become the pieced background and decided on the placement of the stitched letters. We discussed how we needed roots on the tree to represent the "Bristol Rhythm and Roots Reunion". This reunion is an annual music festival held in September, celebrating Bristol's musical heritage and featuring country, gospel, bluegrass, and roots music.
I took the tree idea and drew it half the size we needed on taped together pieces of paper. We had it enlarged and passed this pattern on to Sue to applique the chosen fabrics on to the neutral background.
We then decided that we needed a "frame" of cross-stitched names of all the participants in the "1927 Bristol Sessions" . (The Bristol sessions were considered the "Big Bang" of modern country music. They were held in 1927 in Bristol, TN by Victor Talking Machine Company produced by Ralph Peer.) I charted all the names of the participants of these sessions and strips of the pinkish linen were handed out to volunteers to backstitch.
The next idea Nita had was to add another boarder with the words and music to "Will The Circle Be Unbroken" (often sung by the Carter Family). We received permission to use this as well. I adapted and charted an alphabet design I liked to the music that Marlene charted and we handed out sections of that to volunteers to stitch. This was one of the two sections that I stitched.
Now for the quilters to really get involved, we asked for volunteers to piece together squares representing popular quilt patterns from 1927 to the present researched and chosen by Joneen. Fabrics were chosen to pick up the colors in the letter backgrounds and several "piecing parties" were scheduled.It seemed the quilt was growing by leaps and bounds and we were getting a little overwhelmed by the sheer size of it!
We turned the quilt over to an amazing machine quilter . . . not a long arm machine, but a regular sewing machine! Ann did a FABULOUS job stippling the background, a "bark" stitch on the tree, mirroring the musical staff, outlining the letters and individualizing each quilt block! At the EGA "stitch-in" we all gathered-round, hand stitched the binding on and admired our work!
On July 14th the EGA was invited to the museum for the dedication of the quilt and a preview of the museum (very impressive museum).
We had a nice reception! Nita explained our designing process and we had a photo shoot in the grand stairwell of the museum . . . we were on the local news . . . what a thrill to see our efforts come together so beautifully!
AND . . . my name is in the museum!!!!!!! There is a plaque at the top of the stairs explaining the process of creating this quilt and my name is included on the plaque . . . WOW am I impressed with myself (he, he)!
It was great fun creating this piece with so many talented women who worked so well together! I hope you get a chance to visit this museum if you're in the area and learn about our musical heritage.
Have a wonderful stitching day! ~*